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The Sandman, Vol. 4: Season of Mists, by Neil Gaiman
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About the Author
Neil Gaiman is the New York Times bestselling author of the Newbery Medal-winning The Graveyard Book and Coraline, the basis for the hit movie. His other books include Anansi Boys, Neverwhere, American Gods, and Stardust, (winner of the American Library Association's Alex Award as one of 2000's top novels for young adults) as well as the short story collections M Is for Magic and Smoke and Mirrors. He is also the author of The Wolves in the Walls and The Day I Traded My Dad for Two Goldfish, both written for children. Among his many awards are the Eisner, the Hugo, the Nebula, the World Fantasy, and the Bram Stoker. Originally from England, he now lives in the United States.Kelley Jones is a comic book artist best known for his work on Batman with Doug Moench and The Sandman with Neil Gaiman. A critically acclaimed artist throughout his career, Jones' recent work includes Swamp Thing: The Dead Don't Sleep with Swamp Thing creator Len Wein.Mike Dringenberg was born in Laon, France, and currently resides in Bountiful, Utah. His early comics work appeared in Eclipse's Enchanter, Alien Worlds, Total Eclipse, and Vortex's Kelvin Mace. When not drawing or painting, Mike swears he can be found "wandering through the desert kicking coyotes" and "watching the sun rise in the west."
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Product details
Paperback: 192 pages
Publisher: Vertigo; New edition edition (February 1, 2011)
Language: English
ISBN-10: 1401230423
ISBN-13: 978-1401230425
Product Dimensions:
6.7 x 0.4 x 10.2 inches
Shipping Weight: 13.4 ounces (View shipping rates and policies)
Average Customer Review:
4.6 out of 5 stars
144 customer reviews
Amazon Best Sellers Rank:
#29,272 in Books (See Top 100 in Books)
Seasons of Mist shows off everything I could have asked for in this series. In the first chapter, along with the best artwork the series has had to date, we get to meet two more of Morpheus's family: the oddball Delirium, and the intimidating Destiny. Neither of these characters disappoint. The book goes on to bring forth a huge collection of mythological figures the world over. Gaiman brings all of these characters together seamlessly.My only complaint about the book is that the ending wasn't quite satisfactory to me. However, most of the people I have talked to about the book disagree, so there is a good chance you will too.
Like many young boys I read comics as a child. Spiderman and Silver Surfer were my favorites and I still enjoy dusting off an old Marvel from time to time. When I got to college many of my brothers were passing around the old president's copy of Watchmen and I was floored by how great comics could be. I made my way through many other Alan Moore works finding, with a great deal of surprise, that I rather linked Swamp Thing which brought me to Neil Gaiman. Knew the name but was unfamiliar with his work. Started in on Sandman. The first three volumes were quite good and I could see why Gaiman was mentioned along with Moore as being the gold standard. Then I read volume 4. The layers upon layers of mythology, the masterful building of suspense. this is quite simply the best comic book I have ever read (excepting for Maus, which is in a separate category. I mean, yeah it's a comic, but...if you have read it you know of which I am trying to speak. If you haven't read it do so). The third issue I nearly applauded when I finished it. My biggest fear having just finished this volume is that all other books, comic or otherwise, will be a disappointment. Oh well. The Dark Knight Rises was no Dark Knight but it was still rather well done. Fingers crossed though that Neil could somehow replicate this extraordinary tale in volume 5!
Gaiman’s Sandman as a whole is a masterpiece of storytelling. At times sublime and clever at times baffling but always thought provoking.I originally read it as the monthly book but it really was meant to be read in volumes like this. I think this one is my favorite of the series. I’m probably biased due to being a huge fan of the Lucifer spin off by Mike Carey. Without this story that one would not have been told. Either way this series stands the test of time better than most comics ever could.
In these days of everything having to be genre specific, style specific, demographic specific - specify your target audience, specify one linear storyline and ram your writing right down people's throats for 'em, Neil Gaiman is a so refreshing. He's having a little bit of everything with The Sandman series. You're going to see everything form satire to a brilliantly weaved mythology, to social cometary, to fairy tale telling, to suspense, to horror, to romance, to literary critique, form, and analysis - and all it delivered bound and wrapped, with a punch in the nose. And what I like best personally is that out of all the malfeasant behaviors in the world that Gaiman goes after, snobbery is the the most constant and vile. He amps it up so well and I just think you're just going to love The Sandman no mater what kind of stuff you usually read. But definitely do yourself a favor and read these in order. It's a long and amazing journey you don't want to miss.
As someone who came into the Sandman party a few decades late, I must say that this volume is a great return to form for the series as a whole. The previous volume, Dream Country, felt more like set-up for future story lines (one of which pays off in this volume), while this one feels more like the first volume in the sense that it expands upon the lore and provides fantastic character development. I honestly did not think that I would find a sequence of events that would rival the abstract battle between Morpheus and the demon in the first volume, but nearly everything in this volume rivals that scene, from Lucifer's and Morpheus' interactions to Morpheus playing host to the widest array of mythological beings I have seen outside of a Marvel or DC book (and even then, the characters are NOTHING like the aforementioned companies' iterations).Fantastic art and intriguing writing both help to make this volume of the Sandman one to be remembered for a good long while.
I liked how this volume let the reader look at Lucifer and hell in a new way, posing a theory that hell is not"miserable" but more of what you want it to be.However, got this because I thought Death would be in it more and she is not, so I am a little disappointed (not the author or seller's fault just something I read wrong). Plus many people quote this as their favorite Sandman comic.Also, personally I like Gaiman's "Preludes" volume a lot more for the characters, artwork, and abstract story.Iconic volume though.
Ah, the fun that is the logical quagmire that is Hell—a place of damnation but nonetheless necessary in the good-evil model of the world. Gaiman takes his Sandman through the acrobatics of necessary evil in order for there to be good and gets to stretch his mythological legs in the process, as all kinds of pantheons come groveling to Sandman now that he has a key to Hell to bestow, since Lucifer has retired...
My favorite volume yet in Gaiman's 'The Sandman'. Thus far The Sandman has been a series of stories, rather than one cohesive one (although certain events from prior volumes are referenced in this one). I have heard that from this point onward the story does get a bit more cohesive, maybe it does, we will see, but as far as a complete story this was undoubtedly the best one yet. Along with Morpheus were are treated with another appearance by Lucifer in this volume. Not just Lucifer but Odin, Loki, Thor, Anubis, Bast, even Chaos itself graces these pages. Sound interesting? It is. Read it.
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