Ebook Free , by Kirk Walker Graves
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, by Kirk Walker Graves
Ebook Free , by Kirk Walker Graves
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Product details
File Size: 377 KB
Print Length: 153 pages
Publisher: Bloomsbury Academic; 1 edition (June 19, 2014)
Publication Date: June 19, 2014
Sold by: Amazon Digital Services LLC
Language: English
ASIN: B00K80KIQI
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Amazon Best Sellers Rank:
#432,268 Paid in Kindle Store (See Top 100 Paid in Kindle Store)
Generally every bad review of a 33 1/3 book starts out with a sentiment along the lines of "this is very different work than the other books in the 33 1/3 series" - a point which probably proves that readers shouldn't expect a singular thing from a 33 1/3 title, a claim I think few reasonable readers of the series would dispute. All that to say, this is a very different work than the other books in the 33 1/3 series. Kirk Walker Graves does an amazing job of pulling apart the motivations and inspirations on each track, drawing parallels to similar works in popular culture, and even (very capably) practicing some light pop psychology on the album's creator throughout; as well as his fans and critics. End to end, the album should please any Kanye fan (or 33 1/3 fan) capable of setting aside expectations or preconceived bias before reading. Which, I'm sure Walker would agree, is a big ask when talking about Kanye.
I wholeheartedly agree with the review given by Quest in 2014. If you want a good read, and a book that actually tells you something about the artist, how he/she created their work, the process, influences, etc etc read the Donuts 33 1/3. This book fell up very short. In fact. Half the book is not even about the album at all! And much of the rest is his play-by-play (and extremely drawn out interpretation) of kanye’s Runaway video. Just watch the video! You can have my copy of this book if you want since it’s not going on my shelf.
Interesting thoughts, but hoping for more of a behind-the-scenes look at making the album, like others in the series.
Amazing perspective! This was such an exciting read. The content shows thoughtful insight and draws incredible connections within the world of the album. With fascinating perspective, Graves writes with an effortlessly engaging style and top-notch literary merit. Wonderfully entertaining and insightful.
Our culture is already bored with meta-commentary about the potential effects of the digital revolution. It’s here, it’s everywhere, it’s the water flowing over the gills of the millennial and nourishing an isolated global community of social mavens, prepared to Google-as-a-verb the meaning of the word “maven†at a moment’s notice from a smartphone, tablet, netbook, and eyeglasses. It is no surprise, then, that possibly the most influential musician of the 21st century personifies and embraces the identity-crafting realm of the real-time and connected. It's important that any book about this musician understands the world we live in.Kirk Walker Graves, author of the 33 1/3 entry for Kanye West’s album “My Beautiful Dark Twisted Fantasyâ€, assumed the burden of dissecting the eponymous album for this very reason. Why focus an intellectual analysis on an album only four years old, nearly devoid of historical context? The author sends the message that MBDTF is the first album that wraps its tendrils directly into the psyche of a society that treats socializing as preparation for personal celebrity, desiring all things immediately not just due to impatience, but because soon now will be irrelevant. Much like the album and our pop culture, the importance of Graves’ analysis cannot be understated, or delayed.Graves shows a level of enthusiasm for his work comparable to a toddler with a leaf blower in a realm of endless cotton candy. The book begins by giving one of the best explanations of Kanye, the artist and the human, that I have yet read. It helps the reader place him within the digital culture now pervading the world that I previously mentioned. At times, Graves’ ardor lends the book a zest for cultural context that informs the reader of even the most implacable song-sample or lyrical choice. There is a clear appreciation for sociological an anthropological meaning here as well; the many aspects of Kanye and the individual works within MBDTF are frequently described in terms of America’s love-hate response to His ego and ambitions. If you’ve ever felt there’s a fiendishly clever quality to the production of pop-friendly or nearly-pop-friendly songs like “All of the Lights†or “Runawayâ€, Graves is more than happy to validate you. In most cases, I found myself a convert.That is not to say that this issue of the 33 1/3 series is without its faults. It feels that on occasion, Graves digs too deep to strike oil on analyses; it’s important that you agree with Graves on the conclusion that Kanye is intractably intertwined with the music he produces, or else all the talk of Kanye’s narcissism and aplomb in the text can become frustratingly psychoanalytical. However, to Graves’ credit, he generally avoids jargon and thesaurus-bombs in favor of flowery and just-short-of-excessive description, leaving it accessible to most learners interested in all the hoopla about Mr. West.“My Beautiful Dark Twisted Fantasy†(the book) is a superb look at how our society is feeding the Kanye machine, producing great works of maximalist conglomeration (as well as Yeezus, which even the author admits lacked the initial vitality of MBDTF). When Graves then opens up the machine to give the readers a look at the parts, he proves his credentials. In homage to his imagery-thick writing style, I offer my personal interpretation of his thesis, for you to decide whether or not to read his book:Kanye is a pop-culture amalgam, accumulating the discarded love and scorn of the public eye, screaming from the mountaintop of public consciousness, Wi-Fi enabled, spotlights overhead, clutching a fistful of forgotten hooks and blistering verse, daring the cameras to look away. He is a one-man 24-hour news cycle channeling the ferocity of a boundless ego, repressed by men in suits in corner offices and sitting at talk-show desks. He’s producer, pariah, artist, child, deity, caricature and soon-to-be-king of pop all in one, and MBDTF is the promise.
Amazing read, I love how the whole thing is dedicated to just one album. Plus if you love Kanye, then you'll love this book.
previously read in utero and donuts from the same series. both were excellent reads, the latter being highly emotional. they informed the reader of the genesis, process and aftermath of the album tracks and the album as a whole. that's what I thought this series was about: the work and the art. I wanted liner notes that border beauty. like what donuts was about. but maybe I have the wrong idea of what this book series is about.it's obvious that the words from this book came from a genuinely good place: an excellent writer who is a kanye fan. and that's what this book is: a track by track pop-culture analysis from the perspective of a fan, rather than an unbiased explanation of the creation of the art and the impact it has on "pop culture."since mbdtf fused into my life and became a soundtrack to heartaches and euphorias and stuff in between, I wanted to know more about this album on a technical level: what were the studio sessions like? what did Pete Rock, the RZA and Qtip contribute? what kind of cathartic experience did Kanye have when the piano keys, Pete Rock drum loop and Rick James "look at you!" sample came together, if any? etc.these are pretty specific questions, but questions worth investigating. I think.it's incredibly difficult to write anything about Kanye that most fans don't already know. and I thought this book would be different. it's not. overall, with the exception of a few minor errors and too many pop-culture associations, it's a good read for the kanye consumer. not so much for the true listeners of my beautiful dark twisted fantasy. I didn't really get anything out of it that hasn't already been printed on glossy, or matte finished covered magazines.
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