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Anatomy for Artists: A New Approach to Discovering, Learning and Remembering the Body, by Anthony Apesos
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About the Author
Anthony Apesos is an artist and professor at the Art Institute of Boston at Lesley University. He has exhibited throughout the eastern U.S. and in California and China, has done major commissions, and has been reviewed/published in the Boston Herald, Boston Globe, Philadelphia Inquirer, New Art Examiner (regular reviewer), San Francisco Art Week, Art and Arts Exchange. Karl Stevens' graphic novel Guilty is in Harvard's Fogg Art Museum and won a 2004 Xeric Foundation grant for comic self-publishing (established by Peter Laird, creator of the highly successful Teenage Mutant Ninja Turtles). Stevens has been compared to such renowned comic creators as Chris Ware, Daniel Clowes and Joe Sacco. He draws a regular strip for the alternative weekly oston Phoenix.
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Product details
Paperback: 128 pages
Publisher: North Light Books; illustrated edition edition (October 3, 2007)
Language: English
ISBN-10: 158180931X
ISBN-13: 978-1581809312
Product Dimensions:
8.5 x 0.5 x 10.8 inches
Shipping Weight: 1.2 pounds
Average Customer Review:
4.1 out of 5 stars
14 customer reviews
Amazon Best Sellers Rank:
#370,647 in Books (See Top 100 in Books)
They are plenty of different approaches to understanding human anatomy for artistic purposes. That instruction usually falls in the "proportion and landmark" type notable in books by the likes of Byrne Hogarth and Robert Beverly Hale. Their books are far more useful for artists than the usual scads of medical-grade anatomy plates."Anatomy for Artists" on the other had, takes that more medical approaches and makes it work. Author Anthony Apesos focuses less on names and more on function to help you understand all the body's many parts.The very first lesson involves dissecting a lamb shank. (and later cooking it for dinner) As unconventional as it seems, this little biology lesson makes you aware of how muscles, tendons, ligaments & bones work in general in order to prepare you for learning about specific parts later on.The remainder of the book cover all the various functions of how the body moves. You're encouraged to find each mentioned muscle on your body to learn how it ties to your bones and moves them around. The landmarks of the body make more sense when you realize they're usually there to give a tendon a place to insert into.Anatomy is one of the hardest aspects of art, and the best way understand it is to approach it from as many different angles as possible. "Anatomy for Artists" is a great way to get a better grip on anatomy and supplement the fine books already out there.
Anthony Apesos was my painting teacher in my last semester of art school. He introduced me to the traditional methods of oil painting, which made it possible for me to finish my portfolio and, more importantly, graduate. Maybe it's because he was my teacher that I held off in buying book on artistic anatomy as long as I did for whatever twisted reason my 21 year old mind came up with to justify not buying. It has been several years since I purchased it and I can honestly say it was worth every penny. Tony's book is an incredibly practical and really unique approach to learning human anatomy that has already become one of the most worn out books on my bookshelf. Simply put, he asks us, the reader, to point out bones and muscles on our own body, exploring their origin/insertion points and the movement so as to fully appreciate their complexity and abilities. For artists this is a gem, an invaluable piece of artistic knowledge that no matter what level of anatomical understanding one has it will open your eyes. As a teacher of anatomy now, I have put Tony's book to good use in my lectures; It provides me a way to break the ice with new students and establish a fun, learning environment (who doesn't enjoy watching a teacher make a complete ass of themselves?). It also provides me with great comic relief when everyone joins in and starts poking themselves, jumping, flapping their arms around, and enjoying the interactivity of learning anatomy the Apesos way. When asked by eager students which books and authors I hold to high esteem, this book is up there with Bridgman, Loomis, and Goldfinger.
Anthony Apeso's Anatomy for Artists is, as the title suggests, written by an artist who understands how artists think. His unique approach rivals and references the way artists of centuries past explored the human body in order to understand how best to portray it in drawings and paintings. All too often today, art students must rely solely on static imagery or personal observation of the nude model in order to learn about anatomy. Mr. Apesos' writings teach anatomical studies by doing... thus reminding the artist of the function of what lies beneath the skin's surface. Using specific examples of how to identify bone structure, muscle mass and location by using the artist's own physical self as the subject of exploration, the reader is then encouraged to put his or her own body into motion. This book is particularly good for visual learners who cannot easily navigate the text of a science- based anatomy book.As a fine artist and arts educator, I have found this book to be such a successful teaching tool that it is now a required part of my drawing curriculum. From a practical standpoont, the reasonable price is a welcome change for students who must normally pay much more for anatomy reference books. Lastly, while some readers seem to have had issues with the illustrations by Karl Stevens, I might suggest they revisit the fine engravings of earlier centuries and reevaluate their own appreciation for the beauty of the line.
This one of the best books on visualizing the anatomy. I am going to sketch from this and work thru every page. A very good book compared with many I have already, next to Bridgeman's..the best
Good tool for the budding artist who's having a little trouble with with getting the human anatomy just right. Similar approach to anatomy as Riven Phoenix in his "Drawing the Human Figure From Your Mind" DVD Series. 4 out of 5 simply because the evolutionary reference (from ape to man) is unnecessary as I'm trying to learn human anatomy, not ape anatomy.
The book was mandatory for one of my art classes but we never actually used it. This is probably good to draw the human anatomy but our school didn't even teach us the basics.
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